Ethnomusicology 1 C
Study Cycle: 2
Lectures: 30
Seminars: 0
Tutorials: 30
ECTS credit: 3
Lecturer(s): doc. dr. Verbuč David
• Theoretical and methodological grounds for the study of the relationship between music and place
• Ethnomusicological, ethnographic, and interdisciplinary study of music and place/space through the perspectives of music geography, and music-related social and imaginary spaces.
• Study of the relationship between music and place through the anthropological notion of material and symbolic production and construction fo space (Setha Low).
• Study of the the following topics: soundscapes, music and architecture, street music, local, translocal, and national space, music and gentrification, and the relationships between place/space and race, ethnicity, gender, sexuality, social class, and age, both in European and non-European social and historical contexts.
Schafer, R. Murray. [1977] 1993. The Soundscape: The Tuning of the World. Rocehster: Destiny Books. COBISS.SI-ID - 243311875
Feld, Steven. 1994. “From Ethnomusicology to Echo-Muse-Ecology: Reading R. Murray Schafer in the Papua New Guinea Rainforest.” Soundscape Writings. https://static1.squarespace.com/static/545aad98e4b0f1f9150ad5c3/t/5465b…
Forsyth, Michael. 1995. Buildings for Music: The Architect, the Musician, and the Listener from the Seventeenth Century to the Present Day. Cambridge, MA: MIT Press.
Blesser, Barry, and Linda-Ruth Salter. 2007. Spaces Speak, Are You Listening?: Experiencing Aural Architecture. MIT Press. https://www.agosto-foundation.org/sites/default/files/upload/spaces_spe…
Low, Setha. 1996. “Spatializing Culture: The Social Production and Social Construction of Public Space in Costa Rica”. American Ethnologist 23(4): 861–877. https://www.jstor.org/stable/646187?seq=18
Whitmore, Aleysia K. 2020. “Frames,” V World Music and the Black Atlantic: Producing and Consuming African-Cuban Musics on World Music Stages, 151-174. Oxford University Press.
Sakakeeny, Matt, 2010. “’Under the Bridge’: An Orientation to Soundscapes in New Orleans.” in Ethnomusicology 54/1: 1-19(27). https://www.jstor.org/stable/pdf/10.5406/ethnomusicology.54.1.0001.pdf
Brennan, Vicki L. 1999. “Chamber Music in the Barn: Tourism, Nostalgia, and the Reproduction of Social Class.” The World of Music 41(3): 11-29. https://www.jstor.org/stable/41699290?seq=3
Valentine, Gill. 1995. “Creating Transgressive Space: The Music of kd lang.” Transactions of the Institute of British Geographers 20(4): 474-485. https://www.jstor.org/stable/622977?seq=1
Connell, John, and Chris Gibson. 2003. Sound Tracks: Popular Music, Identity, and Place.
Corbett, John. 1994. “Brothers from Another Planet: The Madness of Lee “Scratch” Perry, Sun Ra, and George Clinton.” V Extended Play: Sounding Off from John Cage to Dr. Funkenstein, 7-23. Duke University Press.
Gook, Ben. 2016. “Berlin and Detroit: An Alien Techno Alliance. Cultural Politics and Social Transformation after the Fall of the Wall.” Limbus: Australian Yearbook of German Literary and Cultural Studies 8: 172–197.
Gligorijević, Jelena. 2016. “Serbia’s Exit and Guča Trumpet Festivals as Micro-National Spaces: Between Nation Building and Nation Branding”. V Memory, space, sound, uredili Johannes Brusila, Bruce Johnson in John Richardson, 125-144. Bristol, Chicago: Intellect Books. https://www.utupub.fi/bitstream/handle/10024/158573/Serbia%27s%20Exit%2…
Järviluoma, Helmi. 2022. “Sensobiographic walking and ethnographic approach of the Finnish school of soundscape studies.” V The Bloomsbury Handbook of Popular Music and Place, uredila Geoff Stahl in J. Mark Percival, 83–93. New York: Bloomsbury.
Shelemay, Kay Kaufman. 2012. “Rethinking the Urban Community: Remapping Musical Processes and Places.” Urban People 14(2): 207-226. https://www.researchgate.net/publication/387661488_Rethinking_the_Urban…
Wong, Deborah, and Lysloff, René T. A. 1991. “Threshold to the Sacred: The Overture in Thai and Javanese Ritual Performance.” Ethnomusicology 35(3): 315-348. https://www.jstor.org/stable/pdf/851966.pdf
Rice, Timothy. 2003. “Time, Place, and Metaphor in Musical Experience and Ethnography.” Ethnomusicology 47(2): 151-179. https://www.jstor.org/stable/pdf/3113916.pdf
Stokes. Martin. 1997. “Introduction.” V Ethnicity, Identity and Music: The Musical Construction of Place, uredil Martin Stokes, 3-28. Berg Publishers. COBISS.SI-ID - 12507707