Etnomuzikologija 1 D

• Teoretična in metodološka izhodišča za študij razmerja med glasbo in prostorom
• Etnomuzikološka, etnografska in interdisciplinarna obravnava glasbe in prostora skozi vidike glasbenih prizorišč in geografij ter družbenih in imaginarnih glasbenih prostorov.
• Preučevanje razmerja med glasbo, družbo in prostorom, predvsem v navezavi na antropološki koncept materialne in simbolne produkcije in konstrukcije prostora (Setha Low).
• Obravnava konceptov zvočnih krajin (soundscapes), glasbe in arhitekture, ulične glasbe, lokalnih, medlokalnih in nacionalnih glasbenih prostorov, glasbe in pogospodenja mest ter rasne, etnične, spolne, seksualne, razredne in starostne pogojenosti glasbenih in družbenih prostorov v evropskih in zunajevropskih kulturah.

Schafer, R. Murray. [1977] 1993. The Soundscape: The Tuning of the World. Rocehster: Destiny Books. COBISS.SI-ID - 243311875
Feld, Steven. 1994. “From Ethnomusicology to Echo-Muse-Ecology: Reading R. Murray Schafer in the Papua New Guinea Rainforest.” Soundscape Writings. https://static1.squarespace.com/static/545aad98e4b0f1f9150ad5c3/t/5465b…
Forsyth, Michael. 1995. Buildings for Music: The Architect, the Musician, and the Listener from the Seventeenth Century to the Present Day. Cambridge, MA: MIT Press.
Blesser, Barry, and Linda-Ruth Salter. 2007. Spaces Speak, Are You Listening?: Experiencing Aural Architecture. MIT Press. https://www.agosto-foundation.org/sites/default/files/upload/spaces_spe…
Low, Setha. 1996. “Spatializing Culture: The Social Production and Social Construction of Public Space in Costa Rica”. American Ethnologist 23(4): 861–877. https://www.jstor.org/stable/646187?seq=18
Whitmore, Aleysia K. 2020. “Frames,” V World Music and the Black Atlantic: Producing and Consuming African-Cuban Musics on World Music Stages, 151-174. Oxford University Press.
Sakakeeny, Matt, 2010. “’Under the Bridge’: An Orientation to Soundscapes in New Orleans.” in Ethnomusicology 54/1: 1-19(27). https://www.jstor.org/stable/pdf/10.5406/ethnomusicology.54.1.0001.pdf
Brennan, Vicki L. 1999. “Chamber Music in the Barn: Tourism, Nostalgia, and the Reproduction of Social Class.” The World of Music 41(3): 11-29. https://www.jstor.org/stable/41699290?seq=3
Valentine, Gill. 1995. “Creating Transgressive Space: The Music of kd lang.” Transactions of the Institute of British Geographers 20(4): 474-485. https://www.jstor.org/stable/622977?seq=1
Connell, John, and Chris Gibson. 2003. Sound Tracks: Popular Music, Identity, and Place.
Corbett, John. 1994. “Brothers from Another Planet: The Madness of Lee “Scratch” Perry, Sun Ra, and George Clinton.” V Extended Play: Sounding Off from John Cage to Dr. Funkenstein, 7-23. Duke University Press.
Gook, Ben. 2016. “Berlin and Detroit: An Alien Techno Alliance. Cultural Politics and Social Transformation after the Fall of the Wall.” Limbus: Australian Yearbook of German Literary and Cultural Studies 8: 172–197.
Gligorijević, Jelena. 2016. “Serbia’s Exit and Guča Trumpet Festivals as Micro-National Spaces: Between Nation Building and Nation Branding”. V Memory, space, sound, uredili Johannes Brusila, Bruce Johnson in John Richardson, 125-144. Bristol, Chicago: Intellect Books. https://www.utupub.fi/bitstream/handle/10024/158573/Serbia%27s%20Exit%2…
Järviluoma, Helmi. 2022. “Sensobiographic walking and ethnographic approach of the Finnish school of soundscape studies.” V The Bloomsbury Handbook of Popular Music and Place, uredila Geoff Stahl in J. Mark Percival, 83–93. New York: Bloomsbury.
Shelemay, Kay Kaufman. 2012. “Rethinking the Urban Community: Remapping Musical Processes and Places.” Urban People 14(2): 207-226. https://www.researchgate.net/publication/387661488_Rethinking_the_Urban…
Wong, Deborah, and Lysloff, René T. A. 1991. “Threshold to the Sacred: The Overture in Thai and Javanese Ritual Performance.” Ethnomusicology 35(3): 315-348. https://www.jstor.org/stable/pdf/851966.pdf
Rice, Timothy. 2003. “Time, Place, and Metaphor in Musical Experience and Ethnography.” Ethnomusicology 47(2): 151-179. https://www.jstor.org/stable/pdf/3113916.pdf
Stokes. Martin. 1997. “Introduction.” V Ethnicity, Identity and Music: The Musical Construction of Place, uredil Martin Stokes, 3-28. Berg Publishers. COBISS.SI-ID - 12507707