Uvod v etnomuzikologijo E

• Zgodovinski pregled razvoja etnomuzikologije.

• Sodobni koncepti, teorije in metode.

• Poudarek na naslednjih etnomuzikoloških konceptih in teorijah: kritični pogled na zgodovino etnomuzikologije, etika raziskovanja, glasbena etnografija, glasba in pomen, rasa, etnija, spol, družbeni razred, ekonomija, poblagovljenje, globalizacija, diaspora, turizem, tehnologija, skupnost, konstrukcija avtentičnosti, pojem »world music«, etnomuzikologija popularne in zahodne umetniške glasbe.

• Odnos med glasbenim narodopisjem, primerjalno muzikologijo, in moderno etnomuzikologijo ter med etnomuzikološko prakso v Sloveniji in drugje po svetu.

• Etnomuzikologija in druge vede.
• Pomembni etnomuzikologi, ustanove, združenja in relevantna literatura na Slovenskem in drugje.
• Pot od terenskega raziskovanja do objave etnomuzikološkega prispevka.
• Uvod v etnokoreologijo in etnoorganologijo.

• Izbrane teme iz slovenske in svetovne etnomuzikološke prakse.

Del vaj (20 kontaktnih ur) poteka v obliki terenskih vaj, ki obsegajo obisk z glasbo in etnomuzikologijo povezanih inštitucij.

Cooley, Timothy J. 2008. “Casting Shadows: Fieldwork is Dead! Long Live Fieldwork!: Introduction.” V Shadows in the Field: New Perspectives for Fieldwork in Ethnomusicology, Druga izdaja, uredila Gregory F. Barz in Timothy J. Cooley, 3-24. Oxford University Press. COBISS.SI-ID 30718253
Kisliuk, Michelle. 2008. “(Un)doing Fieldwork: Sharing Songs, Sharing Lives.” V Shadows in the Field: New Perspectives for Fieldwork in Ethnomusicology, Druga izdaja, uredila Gregory F. Barz in Timothy J. Cooley, 183-205. Oxford University Press. COBISS.SI-ID 30718253
Merriam, Alan P. 1964. “Toward a Theory for Ethnomusicology.” V Anthropology of Music, 17-36. Northwestern University Press. COBISS.SI-ID - 107612160
Rice, Timothy. 1987. “Toward the Remodeling of Ethnomusicology.” Ethnomusicology 31(3): 469-488. https://www.jstor.org/stable/851667
Pettan, Svanibor. 1995. “Etnomuzikologija v Sloveniji in v ZDA: izhodišča za primerjavo.” V Razvoj slovenske etnologije od Štreklja in Murka do sodobnih etnoloških prizadevanj, uredila Rajko Muršič in Mojca Ramšak, 118-123. Ljubljana: Slovensko etnološko društvo, Znanstveni inštitut Filozofske fakultete. COBISS.SI-ID - 53990144
Pettan, Svanibor. 2001. “Glasbeno življenje na Zanzibarju in slovenska etnomuzikologija.” Časopis za kritiko znanosti 29(204/205/206): 200-232. https://www.dlib.si/details/URN:NBN:SI:DOC-JV24CDB7
Turino, Thomas. 2008. “Why Music Matters.” V Music as Social Life: The Politics of Participation, 1-22. Chicago and London: The University of Chicago Press.
Geertz, Clifford. 1973. “Thick Description: Toward an Interpretive Theory of Culture.” V The Interpretation of Cultures, 3-32. New York: Basic Books.
Ingrid Monson. 1995. “The Problem with White Hipness: Race, Gender, and Cultural Conceptions in Jazz Historical Discourse.” Journal of the American Musicological Society 48(3): 396–422. https://www.amherst.edu/media/view/91528/original/Monson+-+The+Problem+…
Koskoff, Ellen. 1993. “Miriam Sings her Song: The Self and the Other in Anthropological Discourse.” V Musicology and Difference: Gender and Sexuality in Music Scholarship, uredila Ruth A. Solie, 149-163. Berkeley: University of California Press.
Regula Qureshi. 2002. “Mode of Production and Musical Production: Is Hindustani Music Feudal?” V Music and Marx: Ideas, Practice, Politics, uredila Regula Qureshi, 81-105. Routledge, New York. COBISS.SI-ID - 59923042
Turino, Thomas. 2008. “Participatory, Presentational, and High Fidelity Music in Zimbabwe.” V Music as Social Life: The Politics of Participation, 122-154. Chicago and London: The University of Chicago Press.
Guilbault, Jocelyne. 1993. “On Redefining the ‘Local’ through World Music.” The World of Music 35(2) 33-47. https://www.amherst.edu/media/view/57430
Taylor, Timothy, 1996. “Popular Music and Globalization.” V Global Pop: World Music, World Markets, 1-38. New York: Routledge. COBISS.SI-ID - 43259649
Whitmore, Aleysia K. 2016. “The Art of Representing the Other: Industry Personnel in the World Music Industry.” Ethnomusicology 60(2): 329-355. https://www.jstor.org/stable/10.5406/ethnomusicology.60.2.0329
Nannyonga-Tamusuza, Sylvia and Andrew N. Weintraub. 2012. “The Audible Future: Reimagining the Role of Sound Archives and Sound Repatriation in Uganda.” Ethnomusicology 56(2): 206-233. https://www.jstor.org/stable/10.5406/ethnomusicology.56.2.0206
Seeger, Anthony. 1992. “Ethnomusicology and Music Law.” Ethnomusicology 36(3): 345-359. https://posgrado.unam.mx/musica/div/pdf/GilBraga/Seeger-Ethnomusicology…
Seeger, Anthony. 2008. “Theories Forged in the Crucible of Action: The Joys, Dangers, and Potentials of Advocacy and Fieldwork.” V Shadows in the Field: New Perspectives for Fieldwork in Ethnomusicology, Druga izdaja, uredila Gregory F. Barz in Timothy J. Cooley, 271-288. Oxford University Press. COBISS.SI-ID - 30718253
Babiracki, Carol M. 2008. “What’s the Difference?: Reflections on Gender and Research in Village India.” V Shadows in the Field, Druga izdaja, uredila Gregory F. Barz and Timothy J. Cooley, 121-138. New York: Oxford University Press. COBISS.SI-ID 30718253
Wong, Deborah. 2004. “Karaoke, Mass Mediation and Agency in Vietnamese American Popular Music.” V Speak It Louder: Asian Americans Making Music, 69-88. New York and London: Routledge. ISBN 0-415-97040-7
Eric Martin Usner. 2011. “The Condition of Mozart’: Mozart Year 2006 and the New Vienna.” Ethnomusicology Forum 20(3): 413-442. https://www.tandfonline.com/doi/abs/10.1080/17411912.2011.650926
Verbuč, David. 2021. “Assembling the Local DIY Community.” V DIY House Shows and Music Venues in the US: Ethnographic Explorations of Place and Community, 175-199. New York and London: Routledge. COBISS.SI-ID - 118624259